Artiste : Dhuwarrwarr Marika (1945)

Titre de la sculpture : Ŋoŋu

Format : 263 x 27 cm

Pigments naturels sur tronc d'eucalyptus

Provenance et certificat : centre d'art aborigène de Yirrkala

Référence de l'œuvre: 6484-19

Explications pour cette œuvre :

This miny’tji represents Rulyapa, the rough saltwater country between Nhulunbuy and the large island of Dhambaliya (Bremer Island), ballooning up from the secret depths, around the sacred rock Manhala, which can be a manifestation of Daymirri.

Daymirri is the whale (or perhaps sea monster) that according to Rirratjiŋu and Djambarrpuyŋu clan manikay (sacred song) pertains to the saltwater country close to Yirrkala.

The dome-shaped rock Manhala exposes itself at the low tide, above the raŋ (tide marks), bleached white, a patina of brine and weather. Manhala is one of many names given to the rock. Djambarrpuyŋu and Rirratjiŋu clans have many ‘deep’ names that are intoned by the ritual specialists at the culmination of appropriate ceremony. The sea surrounding the rock, its tidal movements, differing states and the effect it had on Yolŋu visiting this site in Ancestral times is all recorded in the sacred song. As are all the totemic species of marine life that has these ancestral connections to the Rirratjiŋu and Djambarrpuyŋu.

Often painted in this design is Daymirri the whale, Balpa the rock cod, Djumbarr the red emperor, Ḏarrpa the king brown snake and Mutjalanydjal, the dolphin. All of these things and all of their meanings are implied simply by the presence of the miny’tji for the water. It’s not just Manhala and the power associated with deep seated knowledge that makes this area both sacred and dangerous to those entering with out authority. There are three other rocks in the area of same qualities but these ones; Wakwakbuy, Mulŋuwuy and Dharrpawuy, are submerged…

A further role for this cultural form is as a fine art object and an instructional tool for younger generations. Artworks of this nature have multiple layers of metaphor and meaning which give lessons about the connections between an individual and specific pieces of country (both land and sea), as well as the connections between various clans but also explaining the forces that act upon and within the environment and the mechanics of a spirit’s path through existence. The knowledge referred to by this imagery deepens in complexity and secrecy as a person progresses through a life long learning process.

© Photo & text : Aboriginal signature with the courtesy of the artist, & Buku-Larrngay Mulka.

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